{"id":22713,"date":"2026-07-09T05:13:24","date_gmt":"2026-07-09T05:13:24","guid":{"rendered":"https:\/\/www.yololiv.com\/blog\/?p=22713"},"modified":"2026-07-09T05:13:26","modified_gmt":"2026-07-09T05:13:26","slug":"how-to-live-stream-a-concert-solo-multi-camera-music-performances-without-a-crew","status":"publish","type":"post","link":"https:\/\/www.yololiv.com\/blog\/how-to-live-stream-a-concert-solo-multi-camera-music-performances-without-a-crew\/","title":{"rendered":"How to Live Stream a Concert Solo: Multi-Camera Music Performances Without a Crew"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\uac04\ub2e8\ud55c \uc124\uce58\ub85c \ud654\ub824\ud55c \uc601\uc0c1 \uc5bb\uc74c<\/p>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>A live concert is one of the hardest things to stream well. The lighting swings from near-dark to blinding in a single song. The audio is loud, dynamic, and unforgiving. The action happens across a whole stage, so one static camera never feels like the show actually looked. And most of the time, there&#8217;s no production budget for a crew \u2014 just one person who&#8217;s been asked to &#8220;put it online.&#8221;<\/p>\n\n\n\n<p>It can be done, and done well, by that one person. In our user community, operators regularly stream full concerts \u2014 indoor theaters, outdoor festivals, small live venues \u2014 running four, five, even six cameras solo, mixing house audio in real time, and switching the whole show from a single device.<\/p>\n\n\n\n<p>This guide covers the concert-specific playbook: how to cover a stage with multiple angles alone, how to handle live music audio, and how to keep a multi-camera show running by yourself from soundcheck to encore.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"461\" src=\"https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog-1024x461.jpg\" alt=\"\" class=\"wp-image-22715\" srcset=\"https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog-1024x461.jpg 1024w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog-300x135.jpg 300w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog-150x68.jpg 150w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog-768x346.jpg 768w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog-1536x692.jpg 1536w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog-1920x864.jpg 1920w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog-1170x527.jpg 1170w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog-585x263.jpg 585w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_46 counter-hierarchy ez-toc-counter ez-toc-grey ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\">Table of Contents<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"ez-toc-toggle-icon-1\"><label for=\"item-6ab543555a5ae\" aria-label=\"Table of Content\"><span style=\"display: flex;align-items: center;width: 35px;height: 30px;justify-content: center;direction:ltr;\"><svg style=\"fill: #000000;color:#000000\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #000000;color:#000000\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/label><input  type=\"checkbox\" id=\"item-6ab543555a5ae\"><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.yololiv.com\/blog\/how-to-live-stream-a-concert-solo-multi-camera-music-performances-without-a-crew\/#Why_Concerts_Break_Ordinary_Streaming_Setups\" title=\"Why Concerts Break Ordinary Streaming Setups\">Why Concerts Break Ordinary Streaming Setups<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.yololiv.com\/blog\/how-to-live-stream-a-concert-solo-multi-camera-music-performances-without-a-crew\/#What_This_Looks_Like_in_Practice\" title=\"What This Looks Like in Practice\">What This Looks Like in Practice<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.yololiv.com\/blog\/how-to-live-stream-a-concert-solo-multi-camera-music-performances-without-a-crew\/#Covering_a_Whole_Stage_Alone_The_Camera_Plan\" title=\"Covering a Whole Stage Alone: The Camera Plan\">Covering a Whole Stage Alone: The Camera Plan<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.yololiv.com\/blog\/how-to-live-stream-a-concert-solo-multi-camera-music-performances-without-a-crew\/#The_Hardest_Part_Concert_Audio\" title=\"The Hardest Part: Concert Audio\">The Hardest Part: Concert Audio<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.yololiv.com\/blog\/how-to-live-stream-a-concert-solo-multi-camera-music-performances-without-a-crew\/#Indoor_Halls_vs_Outdoor_Festivals\" title=\"Indoor Halls vs. Outdoor Festivals\">Indoor Halls vs. Outdoor Festivals<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.yololiv.com\/blog\/how-to-live-stream-a-concert-solo-multi-camera-music-performances-without-a-crew\/#From_Soundcheck_to_Encore_Running_the_Show_Solo\" title=\"From Soundcheck to Encore: Running the Show Solo\">From Soundcheck to Encore: Running the Show Solo<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.yololiv.com\/blog\/how-to-live-stream-a-concert-solo-multi-camera-music-performances-without-a-crew\/#The_Takeaway\" title=\"The Takeaway\">The Takeaway<\/a><\/li><\/ul><\/nav><\/div>\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Why_Concerts_Break_Ordinary_Streaming_Setups\"><\/span>Why Concerts Break Ordinary Streaming Setups<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Three things make live music harder than most events:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li><strong>Extreme, changing light.<\/strong> Stage lighting is designed for the room, not your camera. Auto-exposure will hunt wildly as spotlights hit and cut. You need cameras you can lock manually.<\/li>\n\n\n\n<li><strong>Loud, dynamic audio.<\/strong> A phone or camera mic clips instantly at concert volume. Usable concert audio almost always means taking a feed from the venue&#8217;s own sound system.<\/li>\n\n\n\n<li><strong>A wide stage, constant motion.<\/strong> A singer, a band, soloists \u2014 the show lives across the whole stage. One angle can&#8217;t tell that story, so concert streaming is inherently multi-camera.<\/li>\n<\/ol>\n\n\n\n<p>The consequence: concert streaming needs several manually-controlled cameras, a clean audio feed from the house, and a switcher that can mix all of it live. The question is how one person runs all three at once.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"What_This_Looks_Like_in_Practice\"><\/span>What This Looks Like in Practice<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>One Rising contributor in the YoloLiv User Group streams live music across South Korea \u2014 indoor concert halls, outdoor spring festivals, and small live-music venues \u2014 and his public setup posts read like a running clinic in solo concert production.<\/p>\n\n\n\n<p>His rigs scale to the venue. For a performance at a national theater, he ran three cameras plus a fourth through a capture card \u2014 four angles total \u2014 off a compact setup he described as quick to install. For a full concert, he listed an even larger rig: multiple Sony camcorders, a pair of action cameras brought in through a capture card, and a pocket gimbal camera for movement, all feeding one switcher, with audio taken directly from the venue&#8217;s sound board. Coverage ran the entire show \u2014 from rehearsal through the encore, roughly three hours.<\/p>\n\n\n\n<p>The through-line across every post is the same: <strong>one operator, many cameras, house audio, one switcher.<\/strong> That&#8217;s the pattern this guide is built on.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"\ud55c\uad6d\uc774\ube14\ub77c\uc7ac\ub2e8, 1\uc8fc\ub144\uae30\ub150\ucf58\uc11c\ud2b8, LIVE,\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/feVUzVKoq7E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Covering_a_Whole_Stage_Alone_The_Camera_Plan\"><\/span>Covering a Whole Stage Alone: The Camera Plan<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The trick to multi-camera concert coverage solo isn&#8217;t operating every camera \u2014 it&#8217;s that most of them don&#8217;t need operating. Set them and leave them.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>The wide\/master camera.<\/strong> Locked on a tripod, framing the full stage. This is your safety shot \u2014 you can always cut to it. It never moves.<\/li>\n\n\n\n<li><strong>A tighter camera on the lead.<\/strong> Framed on the vocalist or main performer. Also locked, reframed only between songs if needed.<\/li>\n\n\n\n<li><strong>Fixed detail angles.<\/strong> Action cameras are ideal here \u2014 small, cheap enough to place several, and easy to tuck at the drummer, the keys, a side-stage angle. Bring them into the switcher through a capture card if they don&#8217;t output clean HDMI directly. <\/li>\n\n\n\n<li><strong>One camera for movement (optional).<\/strong> A gimbal or pocket camera you actually hold for the occasional dynamic shot \u2014 used sparingly, because you can only hold one thing at a time.<\/li>\n<\/ul>\n\n\n\n<p>With three or four cameras locked on solid frames, your live job shrinks to one thing: switching between angles you already trust. That&#8217;s what makes solo operation sustainable across a three-hour show.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Hardest_Part_Concert_Audio\"><\/span>The Hardest Part: Concert Audio<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Video forgives; audio doesn&#8217;t. Viewers will tolerate a soft-focus shot but will click away from distorted, clipping sound instantly.<\/p>\n\n\n\n<p><strong>Take the feed from the house.<\/strong> The single most important move in concert streaming: don&#8217;t mic the room, take audio from the venue&#8217;s mixing board. Most sound systems offer a line-out or a dedicated feed for exactly this. Community operators consistently do this \u2014 pulling a board feed, or a left\/right line out from the house, into the switcher rather than trusting on-camera mics.<\/p>\n\n\n\n<p><strong>Confirm levels during soundcheck, not during the show.<\/strong> Get to the venue for rehearsal and lock your audio levels while the band plays, so you&#8217;re not adjusting live.<\/p>\n\n\n\n<p><strong>Watch sync.<\/strong> When video comes from several cameras (some through a capture card) and audio comes from a separate board feed, the two can drift out of alignment. Check lip-sync against a close vocal shot during soundcheck and correct it <em>before<\/em> you go live \u2014 this is the detail that most often separates an amateur concert stream from a clean one. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"577\" src=\"https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2-1024x577.jpg\" alt=\"\" class=\"wp-image-22717\" srcset=\"https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2-1024x577.jpg 1024w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2-300x169.jpg 300w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2-150x84.jpg 150w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2-768x432.jpg 768w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2-1536x865.jpg 1536w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2-1920x1081.jpg 1920w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2-1170x659.jpg 1170w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2-585x329.jpg 585w, https:\/\/wordpress.yololiv.com\/wp-content\/uploads\/2026\/07\/blog2.jpg 2048w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"Indoor_Halls_vs_Outdoor_Festivals\"><\/span>Indoor Halls vs. Outdoor Festivals<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>The rig stays the same; the environment changes what you plan for.<\/p>\n\n\n\n<p><strong>Indoor concert halls \/ theaters:<\/strong> Controlled darkness with hard spotlights. Expose for the lit performer, not the black surroundings, or faces blow out while the stage goes to shadow. Wired network from the venue is usually available \u2014 use it.<\/p>\n\n\n\n<p><strong>Outdoor festivals \/ daytime stages:<\/strong> The opposite problem \u2014 bright, flat daylight, and often no wired network at all. Operators stream these on venue or event Wi-Fi; when that&#8217;s shaky or absent, cellular bonding is the fallback for keeping an outdoor stream alive. That\u2019s the YoloLiv Network Bonding. Combine multiple internet sources into one single faster &amp; more reliable live streams. You can see customers\u2019 review at\u00a0<a href=\"https:\/\/www.yololiv.com\/blog\/is-yololiv-network-bonding-worth-it-hear-what-our-customers-say\/\">https:\/\/www.yololiv.com\/blog\/is-yololiv-network-bonding-worth-it-hear-what-our-customers-say\/<\/a>. Watch changing sun angle across a long set the way you&#8217;d watch stage lights indoors.<\/p>\n\n\n\n<p><strong>Small live venues:<\/strong> Tight space, so favor a couple of well-placed locked cameras plus action cams over a sprawling rig. Audio is often the venue&#8217;s strength here \u2014 a good board feed makes these look easy.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"From_Soundcheck_to_Encore_Running_the_Show_Solo\"><\/span>From Soundcheck to Encore: Running the Show Solo<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p><strong>Arrive for rehearsal.<\/strong> Everything you can&#8217;t fix mid-show \u2014 audio levels, sync, camera frames, white balance under stage light \u2014 gets locked during soundcheck.<\/p>\n\n\n\n<p><strong>Lock your cameras before doors.<\/strong> Once the audience is in, you can&#8217;t walk the stage. Frame and lock every fixed camera early.<\/p>\n\n\n\n<p><strong>During the show, do one job: switch.<\/strong> With cameras locked and audio set, your only live task is cutting between angles on the beat. That&#8217;s a job one person can do for three hours; operating five cameras live is not.<\/p>\n\n\n\n<p><strong>Record while you stream.<\/strong> The recording is the artist&#8217;s performance video and your own portfolio piece \u2014 one show, two deliverables.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><span class=\"ez-toc-section\" id=\"The_Takeaway\"><\/span>The Takeaway<span class=\"ez-toc-section-end\"><\/span><\/h2>\n\n\n\n<p>Concert streaming looks like it needs a crew because the show is big, loud, and moving. It doesn&#8217;t \u2014 it needs <em>preparation<\/em> instead of <em>staff.<\/em> Lock your cameras, take audio from the house, fix your levels and sync at soundcheck, and the live show becomes one manageable job: switching between shots you already trust, all from one device.<\/p>\n\n\n\n<p>Start with two locked cameras and a board feed at a small venue. Add angles as you get comfortable. By the time you&#8217;re covering a full concert hall, the only thing that&#8217;s grown is the number of cameras \u2014 not the number of people.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><em>Ready to stream your next show? Learn more about <a href=\"https:\/\/www.youtube.com\/\" target=\"_blank\" rel=\"noopener\">YoloLiv<\/a><\/em>.<\/p>\n\n\n\n<p><\/p>\n<div class=\"pvc_clear\"><\/div><p class=\"pvc_stats all \" data-element-id=\"22713\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 6.4 6.4 12.8 12.8 12.8zM496 400H48V80c0-8.84-7.16-16-16-16H16C7.16 64 0 71.16 0 80v336c0 17.67 14.33 32 32 32h464c8.84 0 16-7.16 16-16v-16c0-8.84-7.16-16-16-16zm-387.2-48h22.4c6.4 0 12.8-6.4 12.8-12.8v-70.4c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v70.4c0 6.4 6.4 12.8 12.8 12.8z\" class=\"\"><\/path><\/svg><\/i> &nbsp;1,039&nbsp;total views, &nbsp;12&nbsp;views today<\/p><div class=\"pvc_clear\"><\/div>","protected":false},"excerpt":{"rendered":"<p>\uac04\ub2e8\ud55c \uc124\uce58\ub85c \ud654\ub824\ud55c \uc601\uc0c1 \uc5bb\uc74c A live concert is one of the hardest things to stream&hellip;<\/p>\n<div class=\"pvc_clear\"><\/div>\n<p class=\"pvc_stats all \" data-element-id=\"22713\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 6.4 6.4 12.8 12.8 12.8zM496 400H48V80c0-8.84-7.16-16-16-16H16C7.16 64 0 71.16 0 80v336c0 17.67 14.33 32 32 32h464c8.84 0 16-7.16 16-16v-16c0-8.84-7.16-16-16-16zm-387.2-48h22.4c6.4 0 12.8-6.4 12.8-12.8v-70.4c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v70.4c0 6.4 6.4 12.8 12.8 12.8z\" class=\"\"><\/path><\/svg><\/i> &nbsp;1,039&nbsp;total views, &nbsp;12&nbsp;views today<\/p>\n<div 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